Showing posts with label Wacom Intuos4. Show all posts
Showing posts with label Wacom Intuos4. Show all posts

Sunday, February 17, 2013

When Two Is Better Than One

close-up image of black Arabian horse mostly eyes by Anita Jesse
Click on the image for the larger version

"Midnight Visit" is currently displayed as a 6x9 Lustre Print in an 11x14 matte. This piece is available at Gallery 'N Gifts, Tehachapi, CA. Prints are available in various sizes. See my website for additional information.
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About the Image
I have lost track of how many of my pieces include this black gelding. His was a tortured spirit and and the barely subdued madness in him has always translated into some form of energy in the photographs we made together that I couldn't possibly manufacture on my own.

Old Habits and Productivity
Finally, a couple of months ago, I began working with two monitors. Don't ask why it has taken me so long.

Sometimes the answer to increased productivity or greater creativity has been under our nose for months or years and we fail to see it. This is certainly what happened to me. It isn't as if working with dual monitors is a new and iffy concept. I just lagged behind and kept doing things the way I had always done them. Yes, I considered a computer even with one monitor pretty cutting edge in the early 1980's. But, I had fallen way behind the times. And, yes, I upgraded to larger and more sophisticated displays. Just not more than one at a time. Old habits getting in the way of progress.

Sound familiar, anyone? I wish I could say that I don't often make such bone-headed mistakes, but I would be flattering myself. More often than I want to admit I finally come around to trying a new technique or piece of equipment and then kick myself for dragging my feet.

For so many of us it is easier to keep repeating the old familiar mistakes than to try something new. We tell ourselves that we don't have time to master the new tool, or get used to doing something a new way. But, it is based in some sort of fear.

It is particularly interesting to me that, more often than not, I eventually face down that resistance and jump into what I have carefully avoided for sometimes years. Yes, occasionally, learning the new way of working is frustrating and takes time as well as patience before it becomes as natural as the old familiar habits. But, often, the transition is a non-event and the switch-over is painless. The latter was the case with adding a second monitor. Within a couple of minutes I was having a wonderful time and wishing I had made the move years ago.

The real embarrassment is that I changed my ways mostly by happenstance. Months ago, I had purchased a second monitor so that I could get into the old machine without having to disconnect my monitor from the new computer. It seems that reports of the old computer dying were more than slightly exaggerated. After that one terrifying day when I was treated to the gasps of a faltering machine with only hours to survive, the old machine has cooked along nicely. Of course, it is no longer being asked to manage Photoshop and power I-forget-how-many external hard drives. That could explain the revival.

As time passed, I asked myself why I should let that perfectly fine new monitor sit there day after day waiting for the rare call into service when I wanted to search for something on the old computer? Why not try working with two monitors every day? What a novel thought. Not!

Now that I have two lovely, wide monitors lined up side by side on my desk, working on an image like the one above is a whole lot easier. Phew? Late to the party, a little embarrassed that it took me so long; but, having a grand time. Ain't technology grand?

 

Sunday, January 13, 2013

A New Camera for the New Year


portrait of black Arabian horse by Anita Jesse

BlackHawk-A work in Progress
(Click here for the larger image)



Note: Although I have added this version of this image to my portfolio, I consider it a work in progress and this version may end up being replaced. I haven't lived with it long enough to be ready for the final steps. A few more days, at least one more test print, and then we shall see.

I have only begun to become acquainted with my new Canon 7D and needed action shots for testing the new-to-me focusing system on this camera. BlackHawk, the 2012 addition to our little herd of three, is always ready to accommodate with action. With his winter coat he isn't at his sleekest and showiest, but, believe me, he needs that warm coat. For example, Sunday (January 13) morning our temperature was 9 degrees. I know that doesn't compete with Monte's recent -1, but it's more than cold enough for me.

The 7D arrived late the afternoon of Tuesday, January 8, and the next day I was out for a test run. Out of that afternoon's brief shoot with BlackHawk, this one is my favorites. The expression is so much who this young gelding is. Typical of his breed, Arabian, he is deeply curious. He is just over 5 and, as is common for that age, he is a bit full of himself. But, he has a sweet nature and is mostly a joy.

Like most of my work, this is a photograph with many layers added. The layers for this piece consist of starting with basic processing for lighting and general enhancement—jobs that were not completed during the Adobe Camera Raw processing of the RAW file. Once the file was moved to Photoshop, I gradually added multiple painting layers using the Wacom tablet and pen. In this case, about 90 percent of the painting was done with a couple of the oil mixer brushes.

Monday, March 12, 2012

Equus Cirruscumulus

horse portrait by Anita Jesse

(Click on the thumbnail for the larger version)

Equus Cirruscumulus is available. This 10x10 limited edition is printed on Kodak ENDURA Metallic paper and will be exhibited in a 16x16 walnut wood frame.
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"Equus Cirrruscumulus" can be loosely translated to "Cloud Horse". This piece has kicked off a new series for me. Actually, I think the collection had its beginnings with "Beach Ball Classic" posted on 1/19/12. But, with this piece—a departure from my typical darker, bolder, and dramatic style, the passion for this airy look hit full force. I am currently working on several pieces that will likely compose a group consisting of six prints, or more—all fitting into this "bathed in light" feeling. A portion of this series will first be exhibited early this summer. More information about that show coming soon. First, I have to deal with the show coming up the end of this month.

By the way, I am still struggling with descriptions for this collection such as "airy" and "bathed in light".  If you have suggestions for a name, please share. I am definitely open to possibilities. Any ideas off the top of your head? I would love to put them in the hopper to consider.

The young gelding in this image is half American Quarter Horse and half Arabian. He is a golden Palomino with personality to spare and I am sorry to say that he has been sold since I saw him, and I doubt that our paths shall ever cross again. I will do some pining over him, I am afraid. He moved so beautifully with such joy and obvious celebration of his power and ease. On multiple occasions, I have mentioned that I frequently fall in love with horses at first sight. This one stole my heart immediately. He danced, pranced, and showed me his best while I not only pressed the shutter button over and over, but became more infatuated with his beauty and spirit. Yes, superficial, of course—all about good looks. I have no experience with the Palomino's personality in hand, much less under saddle. Still, it is probably a good thing that I am not wealthy. Horses like him would rapidly make me horse-poor.